Semantic oppositions of introductions in Yakut olonkho “Kulun Kullustuur the Rude”
DOI:
https://doi.org/10.25587/t5491-0740-8768-oKeywords:
binary oppositions, motive, mythological representations, epic formula, sign, semantic, connotation, symbolization.Abstract
The article discusses the semantic space of the language of the archaic epic olonkho “Kulun Kullustuur the Rude” by I. G. Timofeev-Teploukhov. The subject of the research is binary oppositions that take precedence of the motives appearance in the folklore text, which are components of the traditional mythoepic world of the Yakut olonkho. The purpose of the study is to reconstruct the process of semantization, symbolization of objects by identifying taxonomic and semantic types of oppositions, and then to demonstrate the plot-forming role of semantic oppositions in the organization of an epic text. In work the interdisciplinary approach, semantic, functional, inductive analysis, descriptive method are used. As a result of the study, it was revealed that the semantics of objects is determined by their features depending on the situation or context, and the dynamic nature of opposition members reflects the difference in relations, degrees of comparison between polarities, leading to axiologization, eventually establishing the line-up of oppositions around a single trunk – the world creation, which comes across “generative semantics” of the development chronotopos of the further epic events. The novelty of the research lies in the generalized analysis of the introduction of olonkho, which actualizes the differentiation of symbols from metaphors, more broadly – the semantic and structural significance of the initial element of the epic in relation to the entire body of the epic. The performed analysis sets a vector for further research – in the direction of verifying the cultural semantics of objects that carry the attitudes of folk consciousness and behavior.
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Acknowledgements: The study was carried out within the framework of the NEFU research project “Epic monument of the intangible culture of the Yakuts: textological, typological, cognitive and historical-comparative aspects”.
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