STABLE MOTIFS OF OLONKHO: TRANSFORMATION IN TIME
DOI:
https://doi.org/10.25587/SVFU.2018.11.16946Keywords:
epic, olonkho, epic traditions, plot-compositional structure, stable motifs, archaic olonkho, modern olonkho, transformation in time, distinctive features, author's addition.Abstract
The Yakut heroic epic develops on the general plot-forming background, it basically has a single canon of the plot, images, motifs, language formulas, typical places. However, the epic changes in time, it may have a set of differences, which is associated with the peculiarities of the material and spiritual needs of each generation. Today in Yakutia, representatives of the new generation of olonkhosuts are engaged in storytelling, who, unlike olonkhosuts of the early period, are educated, have the opportunity to learn the art of storytelling on publications, audio, video recordings, they produce self-recordings of their olonkho texts and publish them. A comparative study of the “textual matter” of classical and modern epic works, the identification of signs of static and transformation in time, leads to the conclusion that the solution of these questions has not yet found a proper place in today's epic studies. In order to closing the gap, this article highlights the results of a comparative analysis of plot motifs in the texts of the Yakut olonkho narrators belonging to different generations. The traditionally stable archaic motifs of the epic time, the creation of the world, the homeland of the hero, the settlement of the Middle World by the Uraangay Sakha tribes were studied; the motifs of the appearance of the warrior-defender, the abduction by the monster of the girl of the aiyy tribe, the battles between the warriors of aiyy and abaasy, the victories of the warrior of aiyy after divers adventures, the release of the captive woman; motifs for the marriage of the warrior aiyy and the establishment of peace in the Middle World. The author comes to the conclusion that the epic tradition changes over time, experiences its various influences and absorbs something new, as a result, the text of the olonkho undergoes transformations. In the texts of modern olonkho, simplification or omission of some motives and a tendency to reduce the volume of texts are observed. However, such changes do not affect the traditional plot and compositional structure of the olonkho.
The results obtained in the study can be used in the scientific study of one of the underdeveloped themes of Yakut folkloristics – the transformation in time of the stable motifs of the traditional olonkho.
Acknowledgments: The study was carried out with the financial support of the Russian Foundation for Basic Research in the framework of the scientific project No. 16-06-00505 (a).
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Copyright (c) 2021 Copyright (c) This work is licensed under a Creative Commons Attribution 4.0 International License.

This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright (c) 2021 Copyright (c) This work is licensed under a Creative Commons Attribution 4.0 International License.